Apparently Factor had done a remix for a Canadian band that broke up before ever using this instrumental. We came across what he had done during a session in Saskatoon. I thought it was such fire that I pretty much had to use it. I donâ€™t normally ask for a lot of features on my records…itâ€™s pretty rare. At the time I had very personal reasons for uniting my friends Onry and POS on a track together. This seemed like the perfect one for those guys to rock, but it was formatted as a track for four people. I had never worked with Open Mike Eagle on a track before even though we had toured together and known each other for close to a decade! He seemed like the perfect person to ask. Conceptually I wanted us to write some kind of eulogy to scenes of our youth, specifically the â€œindie rapâ€ world we all grew out of which has undoubtedly shifted dramatically from the days that first left us mesmerized. The reference to Incesticide is not only a shout out to one of my favorite childhood bands, Nirvana, but also directly referring to the story I tell in the liner notes of Sad, Fat Luck.